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Artist Piero Manzoni created Artist's Shit, 90 tin cans containing 30 grams of feces, as a mockery to the art world, then sold them for $37 dollars each. They're now wroth upwards of $100000 each.

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In the realm of contemporary art, few works have sparked as much debate and intrigue as Piero Manzoni's "Artist's Shit." Created in 1961, this provocative piece consists of 90 tin cans, each purportedly containing 30 grams of the artist's own feces. Manzoni's intention was to challenge the art world's conventions and question the value and authenticity of art itself. At the time of their creation, each can was sold for $37, a price that mirrored the market value of gold per gram, further emphasizing the commentary on art as a commodity.

Manzoni's work was a bold statement against the commercialization of art and the often arbitrary nature of its valuation. By packaging his own excrement and presenting it as art, he pushed the boundaries of what could be considered art and who had the authority to make that determination. This act of defiance was not just a critique of the art market but also a reflection on the relationship between artist and audience, and the role of authenticity in artistic expression.

Over the decades, "Artist's Shit" has become a symbol of avant-garde art, its notoriety only increasing with time. The cans, once sold for a modest sum, have appreciated dramatically in value, with some fetching upwards of $100,000 at auction. This staggering increase in price underscores the very critique Manzoni was making about the art world—how value is often dictated by perception, reputation, and market forces rather than intrinsic worth.

The legacy of "Artist's Shit" continues to provoke discussion and analysis. It challenges viewers to reconsider their definitions of art and value, prompting questions about what makes something worthy of admiration and investment. Is it the artist's intention, the medium, the historical context, or the market's response? Manzoni's work remains a powerful reminder of the subjective nature of art and the complexities of its valuation.

In today's art landscape, where the lines between art and commerce are increasingly blurred, Manzoni's work is as relevant as ever. It serves as a cautionary tale about the commodification of creativity and the potential for art to be both a reflection of society and a critique of its values. As "Artist's Shit" continues to captivate and confound, it stands as a testament to the enduring power of art to challenge, provoke, and inspire dialogue across generations.