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There is an opera house on the US Canada border where the stage is in one country and half the audience is in another.

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In a charming display of cross-border cultural exchange, there exists a unique opera house that straddles the boundary between the United States and Canada. Known as the Haskell Free Library and Opera House, this building houses not just an opera stage, but also a library, making it a beacon of shared heritage and cooperation. The opera house is located at the border between Derby Line, Vermont, and Stanstead, Quebec, with such precision in its construction that the stage lies in Canada, while much of the seating is in the United States.

Designed by James Ball and built in 1904, the Haskell Free Library and Opera House was commissioned by Martha Stewart Haskell and her son, Colonel Horace Stewart Haskell. They wanted to create a cultural and learning center accessible to both Canadians and Americans without the need for either to cross the border. The building is deliberately positioned so that the audience sits in the U.S. while performers take the stage in Canada, highlighting a physical and metaphorical unity.

The layout of this building creates interesting dynamics, particularly in terms of legal and operational functions. Officially, the opera house must adhere to the laws and regulations of both countries, which occasionally makes for complex situations involving customs and immigration policies. Despite these challenges, the Haskell has become a symbol of international harmony, drawing art lovers from both nations and beyond.

The interior of the Haskell is as fascinating as its geopolitical situation. It features a 400-seat auditorium with vintage wooden seating and an ornately decorated proscenium that transports visitors back to the early 20th century. Moreover, the library section of the building exists as another shared space, straddling the international boundary line marked simply by a black tape on the floor.

Over the years, the Haskell Opera House has hosted a variety of performances, from traditional operas and classical concerts to plays and community events. Given its unique location, the venue offers a rare opportunity to engage in a cultural experience that literally crosses borders. Attending a performance at the Haskell is thus more than just an evening of entertainment; it is a participatory act in an ongoing dialogue of peace and collaboration between two nations.

This opera house, aside from being a testament to the rich, shared cultural fabric of the U.S. and Canada, serves as a poignant reminder of how art can transcend boundaries. It is a relic of both historical and contemporary significance, a place where the arts diplomatically bridge the gap between two distinct national identities.