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Many pyramids were built in the Kingdom of Kush in modern day Sudan. However, an Italian treasure hunter obtained permission to perform "excavations" and blew up 40 pyramids with explosives ultimately destroying them.

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The ancient Kingdom of Kush, located in what is now modern-day Sudan, was once a flourishing civilization, known for its rich culture and architectural accomplishments, including the construction of pyramids. The pyramids of Kush, though less globally renowned than their Egyptian counterparts, bore historical significance and offered valuable insights into the cultural and religious practices of the Kushite people.

However, in the early 19th century, a considerable amount of damage was inflicted upon these architectural marvels. The Italian treasure hunter Giuseppe Ferlini, in pursuit of rumored treasures, led an expedition in 1834 that resulted in the destruction of about 40 of these pyramids. Ferlini believed that the pyramids might contain hidden gold and artifacts similar to those found in the tombs of Egyptian pharaohs.

Eager to find treasures he could sell back in Europe, Ferlini employed the use of explosives to gain access to the interiors of these pyramids. His actions were reckless and immensely damaging; the blasts not only failed to unearth significant treasures but also irrevocably ruined a vast portion of this heritage site. While he did recover some items which he later sold to European museums, the archaeological and historical cost was devastating.

The destruction of these pyramids is a somber reminder of the consequences of treasure hunting that prioritizes profit over preservation. Ferlini's actions spurred a wider conversation about the need for ethical standards in archaeology. This incident helped to eventually bring about more structured approaches to archaeology and heritage management, emphasizing conservation and respectful treatment of cultural sites. Yet, the loss of the pyramids at the hands of Ferlini remains a painful chapter in the history of archaeological exploration, showcasing the irreversible damage that can result from valuing treasure over truth and history.